In Japanese folklore, the Jorōgumo (literally meaning “binding bride” or “whore spider”, depending on the kanji) is a type of shapeshifting youkai. In most lore, the Jorōgumo is a spider who can assume the form of a beautiful woman to lure in prey. Rarely, the Jorōgumo can be a more benevolent creature who saves people from drowning.
In Chinese folklore, the Jiangshi (“goeng-si” in Cantonese, “gangshi” in Korean, “kyonshī” in Japanese, and “cương thi” in Vietnamese) is reanimated corpse, similar to the Eastern European vampire and the West African zombie, who seeks to feed on the qi of the living. The Jiangshi can range in appearance from a rotting corpse to freshly dead, but are almost always dressed in official garments from the Qing dynasty and move around by hopping (because rigor mortis prevents regular walking). Jiangshi can be created in a number of ways, such as magical resurrection, possession, imbalance of the hun and po, premature burial, improper burial, or the spirit of the dead person simply failing to move on.
Jorogumo/ Jiangshi (via The Lady of Sirara)
Leviathan/ Lady Midday (via The Lady of Sirara)
In the Tanakh, Leviathan is a gigantic sea serpent or dragon. Such creatures are common in the religions of the Near East, such as the Ugaritic Yam and Lotan, the Babylonian Tiamat and (to an extent) the Egyptian Apep. Such creatures were symbols of chaos and darkness and were adversaries of the gods and of humanity.
In Slavic folklore, Lady Midday ( “Poludnitsa” in Bulgarian and Russian, “Polednice” in Czech, “Mittagsfrau” in German, “Poloznicha” in Komi, “Południca” in Polish, “Poludnica” in Serbian, “Poludnica” in Slovak, “Přezpołdnica” Lower Sorbian, or “Připołdnica” in Upper Sorbian), was a demon of high noon, said to cause heatstrokes, neck pain, illness, and madness. Lady Midday appears in the middle of hot summer days and often takes the form of dust clouds, a beautiful young woman in a white dress, a pubescent girl, or a hag, and carries a scythe. She stops people in the field to ask them difficult questions or simply engage them in conversation. Those who fail to answer her questions or try to change the subject are decapitated or blighted with sickness.
Bäckahästen/ Ajatar (via The Lady of Sirara)
Bäckahästen (The stream horse) is known for using its ethereal beauty and strength to lure children to climb onto its back and then drag them down into the dark and murky waters of streams and ponds. It does not matter how many children climb onto its back, for it always grows longer. Only by casting a piece of steel between the horse and the water can the spell be broken and the children saved.In Finnish mythology and folklore, Ajatar is an evil spirit called “the Devil of the Woods”, who manifests in the form of a snake or a dragon, and suckles spirits and spreads disease. She is variably described as the mother or daughter of the Devil.
Itzpapalotl / Ishat and Zabib (via The Lady of Sirara)
In the Aztec religion, Itzpapalotl (literally: “obsidian butterfly” in Nahuatl) was the leader of the Tzitzimimeh and a goddess of agriculture and war. She was the ruler of Tamoanchan, the underworld paradise where humanity was created and where those who died as infants went, and the mother of Mixcoatl, the god of the stars.In Caananite mythology, Ishat and Zabib were the goddesses of fire and flame and servants of Yam-Nahar, the chaos god of the sea. Both of them were destroyed by Anat, the virgin goddess of war, on behalf of her brother, Hadad. It has been suggested that Ishat and Zabib personified the heat of summers and droughts and were thus natural enemies of Hadad, a god of storms and fertility.
Tezcatilpoca / Hekate (via The Lady of Sirara)
In the Aztec religion, Tezcatlipoca (“lord of the smoking mirror” in Nahuatl) was the god of beauty, change, discord, divination, the earth, hurricanes, night, slaves, sorcery, temptation, and war. He was one of the four sons of Ometeotl (the others being Quetzalcoatl, Huitzilopochtli, and Xipec Totec). He was associated with jaguars and obsidian.
Maman Brigitte/ Krampus (via The Lady of Sirara)
In Haitian Vodou, Maman Brigitte is a Ghede loa and the wife of Baron Samedi. She is syncretized with Saint Brigid of Ireland.
In Alpine countries, the Krampus is a goat-like creature and companion of Saint Nicholas who punishes bad children while Saint Nicholas gives presents to good children. The Krampus’ punishments of children varied from simply spanking them to stuffing them in a wicker basket and carrying them off to the mountains, hell, or Spain. In Alpine countries, young men dress up as the Krampus and roam the streets, frightening children and urging them to be good.Saint Nicholas was an actual historical figure, a bishop of Myra (in modern-day Turkey), but the Krampus’ origins are uncertain. He is sometimes suggested to have originated as a son of Hel, the Norse goddess of the Underworld. Others assert that he is the male counterpart of Perchta, a goddess of spinning, weaving, children, and mothers.
Gello/ Baobhan Sith (via The Lady of Sirara)
n the folklore of the Near East and Europe, Gello is a female demon who causes infertility, miscarriages, and infant mortality. Like Abyzou, with whom she is often associated, Gello is usually said to have arisen from the sea. Her name is often assumed to have derived from the Akkadian “gallu” or the Arabic “ghul”, but those are merely hypotheses.
In Scottish mythology, a baobhan sith is a type of fairy or spirit who wanders the Highlands at night seeking to feed on the blood of humans, preferably young men. They are usually said to dress in green and have long fingernails that they use to draw blood. Sometimes, they are also said to have cloven hooves. They are vulnerable to sunlight and iron.
Werehyena/ La Llorona (via The Lady of Sirara)
In the folklore of North and East Africa and West Asia, werehyenas are variously known as “bultungin”, “bouda” and “kaftar.” Like the European werewolf, werehyenas are usually humans who take on the shape of a hyena, though they are also sometimes said to be hyenas who take on human shape. In Ethiopia, blacksmiths are said to have the power to change into hyenas and rob graves. Similar folklore is also found in Morocco and Tanzania. In West Sudan, werehyenas’ favorite victims are young lovers, are usually blacksmiths, healers, or woodcutters and betray their non-human side with their hairy bodies, glowing eyes, and nasal voices.In Central and South America, La Llorona is a wandering ghost who lives in lakes and rivers and wanders the night searching for her lost children. There are many variations in the legend, but almost all of them assert that La Llorona drowned her children herself and has been condemned to wander the earth in search of them, wailing “Ay, mis hijos!”Her motive for drowning her children varies. Sometimes, she was abandoned by their children’s father and drowned them to punish him or because she feared they would starve to death without his money. Other times, she drowned them to be with another man who did not want any stepchildren. Most of the time, storytellers assert that La Llorona will never find her real children, so she’ll kidnap any child near as a replacement.
She has been identified with Coatlicue, the mother of the gods in the Aztec religion and La Malinche, a Nahua woman who served as Hernán Cortés’ interpreter and later, mistress.
Onryo/ Keres / Abyzou (via The Lady of Sirara)
In Japanese folklore, the onryō is a vengeful ghost who was wronged in life. Most onryō in kabuki are female seeking vengeance on abusive, neglectful, or faithless husbands. There were always shown with long disheveled black hair, aiguma makeup (white and indigo) and clad in white burial kimonos.In Greek mythology, the Keres were female spirits of death and destruction. Hesiod called them the daughters of Nyx and sisters of the Fates, Moros, Thanatos, Hypnos, Eris, and Charon. They were said to take delight in war and murder and hovered around the dying to drink their blood.In the folklore of the Near East and Europe, Abyzou is one of many female demons who attack children, pregnant women, and virgins. Abyzou feeds on her victims’ blood and milk, causing miscarriages and infertility, preventing lactation, killing infants, and causing young women to sicken and die. She was said to be motivated by envy, as she herself was infertile. Abyzou does not sleep, but rather wanders the world looking for women about to give birth. She was generally pictured with the attributes of a fish or serpent and said to have arisen from the sea.
Nixe/ Lilith/ Agrat Bat Mahlat (via The Lady of Sirara)
In Germanic folklore, the Nixe (“neck” or “knucker” in English, “näkki” in Finnish, also known as “lorelei”and “rhine maiden”) are water spirits who try to entice people into the water to drown, often with their beauty of their songs.
Contrary to popular belief, most of the well-known legends about Lilith are from the Middle Ages, not antiquity. As the earliest references to Lilith appear to have come from the time of the Babylonian Talmud, it is often theorized that Lilith might have been derived from the Mesopotamian “Lilitu”, a race of female demons.
The Alphabet of Ben Sira, dating from sometime between the 8th and 10th centuries, is the first known source that identified Lilith as Adam’s first wife. Meanwhile, medieval folklore posited Lilith as the queen of Asmodeus, a king of demons who appeared in the deuterocanonical “Book of Tobit” and a number of Talmudic legends. The 13th century Treatise on the Left Emanation identified Lilith and Samael as two halves of an andrognyous being, the spiritual equivalent of Adam and Eve, while Asmodeus was said to be married to a lesser Lilith. The Zohar, a product of the later 13th century, identifed Lilith as a mate of Samael and angel of sacred prostitution who rules over the Northern region of Hell, Rome. In later, Lurianic Kabbalah, there are a multitude of Liliths, the most powerful of which was the wife of Adam Kadamon.
In Zoharistic Kabbalah, Agrat bat Mahlat is a queen of demons, a succubus, angel of sacred prostitution, and mate of the Archangel Samael. She is said to rule the Western quarter of Hell, Salamanca. Amemar identified her as the mistress of sorceresses and Shlomo ben Aderet as the mother of the cambion (half-demon, half-human) Asmodeus.
The Tribulations of Tommy Tiptop, by M.B. 1887
“Oh, this is the little wretch who pulled my sister’s legs off, and my father’s wings, and sang a rude song aout “Daddy, daddy longlegs,” instead of speaking of my respected parents as ‘D.Longlegs, Esq.’ as a gentleman should be adddresed.”
“Let us pull him to pieces,” they all shouted, and off went a leg, and between pain and fright Tommy knew no more.
Thus he found himself completely surrounded by animals and birds who closed round him and asked him whether he was sorry for the past, and if he intended to be in the future kind and merciful, or harsh and unkind to animals.
Tommy at once said, “I will be kind and good, do let me go home to my mother.”
The Tribulations of Tommy Tiptop, by M.B., 1887
The Tribulations of Tommy Tiptop, by M.B., 1887
Aroused from this lethargy, Tommy found himself held by a big dog, and saw that his friend Johnny was in the arms of a very large bulldog; the two boys, being always very friendly, began to talk, but the two dogs did not allow this for one moment, but tried to make the little fellows fight; they knocked their hands together and made them scratch each other’s faces with their nails, until the boys got cross with each other and began to call each other names, to double up their little fists, and to strike out in earnest at each other’s face; Tommy felt red and angry, but he got the worst of it; his eyes were blackened, his nose bled, and he lost his dear little white front tooth.
The Tribulations of Tommy Tiptop, by M.B., 1887
The Tribulations of Tommy Tiptop, by M.B., 1887
The Tribulations of Tommy Tiptop, by M.B., 1887
The Tribulations of Tommy Tiptop, by M.B., 1887
Banging blows on the head, hair pulled, clothes roughly dragged about, Miss Dolly was taking her vengeance on Tommy for all the cruel tricks he had played her. What strong arms she had, and she hit him with a hair brush until her arms ran down with sawdust, which never happens, you know, unless a doll is quite worn out and exhuasted. Just as Dolly was going to put Tommy’s eyes out with the nursery scissors, he sprang away with a cry and crept into the parrot’s cage, where he sat quietly for a time, too weary to speak.
The Tribulations of Tommy Tiptop, by M.B., 1887
The Tribulations of Tommy Tiptop, by M.B., 1887
“I prefer urchins,” said the butterfly, who held the net, “and this is a fine specimen. Tommy belongs to the small roguey poguey breed, and will look very nice when I ‘set’ him on cork. At present I shall just pin him down comfortably; where is my little mallet? Oh, thank you,” she said, taking it from a lizard who had kindly carried it for her. “One, two, three, there Tommy will do nicely for the present,” and off they flew, leaving poor Tommy writhing in pain with a large pin stuck right through him.
The Tribulations of Tommy Tiptop, by M.B., 1887
He found himself in a wooden box with one slanting side, and iron bars at the top and on the other side. A strong smell of cheese prevaded the box.
“Hush, be quiet till I fetch puss, she will soon finish him.”
A large and fierce-looking wasp suddenly caught him in his hand, exactly as Tommy caught flies on the garden wall, or on the table cloth indoors; the wasp pinched his head hard and hurt him so much that he shrieked out.